Friday, December 12, 2014

“Fighting China” at the Museum of Modern Art, 1942




















The New York Sun
November 6, 1942
“To Show Chinese Art”
A collection of paintings, drawings and wood cuts brought from China by Wendell L. Willkie will be placed on exhibition next Wednesday at the Museum of Modern Art, 11 West 53d street.

The collection was intrusted [sic] to Mr. Willkie by the All China Fine Arts Association, an agency of the Chinese Government in Chungking, and was delivered by him to United China Relief.

They will remain on view here until Thanksgiving, and then will go on tour.

The New York Times
November 6, 1942
“Willkie Delivers Chinese War Art”
Paintings, Drawings, Woodcuts by Native Artists Depict All Phases of Conflict

Museum of Modern Art
“Fighting China” Press Release
November 10, 1942
100 works by the following artists:


















Ch’ang Shu-Hong: “Artist’s Family After the Bombing in Chungking” (above)
Chang An-Chih: “Stone Workers’
Chang Shih Min: “A Chinese Family”, “Farming”, “Plunder”, “Murder”, “Run for Help”, “Great Sorrow”, “Leaving the Farm”, “Meeting the Guerrillas”, “Through the Forest” “Conference with a Guerrilla Leader”, “Washing for Guerrilla Fighters”, “Disrupting Communications”, “Nursing”, “Destroying Bridges”, “Tearing Up Roads”, “Planning an Air Raid”, “Destroying Enemy Supplies”, “Rounding Up the Enemy”, “Back to the Farm”, “City Recaptured”

Chang Wen-Yuan: “The Defenders”
Cheng Sha Ping: “Allied Aircraft”
Cheng Siao-Nan: “Marching in the Snow”, “Planning for the Offensive”
Chia Kan Tsing: “Intensive Farming”
Chin Yu-Ch’ang: “Courageous A.V.G.”

Hsieh Tze Wen: “Shelling Rice”
Hsu Yun Pao: “Arch-criminal of August 13th Incident”
Hua Lai: “Under the Swastika Flag”
Huang Yang-Hui: “Constructing Highways”
Huang Chun-Pi: “The Bombing of Chungking”

Lee Chih Keng: “The Smoker”, “Mother Is Sick“, “Streets at Dawn”, “Market Day”
Liang Chung-Ming: “Waiting for the Train in the Battle Front of Southern Kwansi”
Liu Te Hua*: “Head of a Soldier”, “The Generalissimo Speaks”, “News Arrives”, “Reading the News”, “A War Conference”, “The Sharpshooter”, “The Lone Sentry”, “Defiance”, “A Family Group”, “The Camel Brigade”, “The Battle Rages”, “War Bulletins”

Lo Shou Yu: “Colonel Hsieh Chin-yuen”
Lu Chu Chuan: “Wounded Soldier”, “Guerrillas”
Lu I-Szu: “Guerrillas”
Lu Szu-Pai: “War Refugees”, “Chungking After Bombing”
Lung Ting Pa: “War Refugees”, “Minders at Work”
Liu Leng: “Toys Brought Back from the Front”

Pao Ch’i-Chuan: “The Common People Bombed by the Japs”
Shih Jen-Yu: “Generalissimo Chiang Kai-Shek”
Ta Hai Sung: “Spirit of Sacrifice”
Tung Ch’i-Hsiang: “New Foundation”
Tzu-I: “Battle of Changsha I”, “Battle of Changsha II”, “Battle of Changsha III”, “Portrait of General Hsieh-Yo, Victor of Changsha”

Wang Chi: “Chinese Farm”, “Iron and Steel Works”, “Allied Reinforcements”
Wang Chi Chow: “Before the Shooting”, “A Woman Warrior”, “A Night of Terror”
Wu Ting-I: “Air Raid Scene in Chungking”
Wu Tso-Jen: “Chungking After Bombing, I”, “Chungking After Bombing. II”

Ya Fu: “The Inextinguishable Fire”
Yang Lung Sheng*: “A Chinese Counter-attack”
Yu Yuen-Kei: “Waiting for the Enemy”

New York World-Telegram
November 1942
The dramatic circumstances of its transportation to this country are alone enough to make the exhibition called Fighting China, newly opened at the Museum of Modern Art, an exciting and memorable affair. Wendell Willkie brought the pictures back from China when he returned to this country from his round-the-world trip a few weeks ago. Executed by contemporary artists portraying the war in their native country, they were wrapped in a 50-pound package and entrusted to Mr. Willkie by the All-China Fine Arts Assn., which is a branch of the Central Political Institute in China. They’re being shown here in collaboration with United China Relief.

Some of the pictures—they’re all by artists with names unfamiliar to the American public—are executed in typical Western style, and exciting in the fashion you’d expect, considering the battles and bombings which are their subject. But most interesting of all, I think, are those executed in the traditional technique of China, the Chinese artists used to paint birds, bees and flowers. Here are the same flattened planes and simplified designs, the same soft tones and stylized construction. But the subjects are episodes in the heroic struggle of China and her people. And if anything, the traditional treatment has made them more poignantly expressive.

New York Sun
November 13, 1942
When Mr. Willkie made his recent memorable trip to China he brought back with him some paintings and prints of the war by contemporary Chinese artists and these works are now shown at the Museum of Modern Art. What will astonish most observers in them, I believe, is the fact that these Oriental artists have the same approach that our men have. There is no difficulty in understanding the Chinese language that these artists use. It is almost our own idiom and the mere fact that some of the pictures are mounted on rolls, in the ancient way, does not stand between us. Even the Chinese dress of the refugees in these terrible records no longer seems foreign to us. Apparently the whole world is quickly approximating to one standard.

One of the simplest and most effective of these paintings is the “Waiting for the Train in the Battle Front of Southern Kwansi,” by Liang Chung-Ming; but, also, it is impossible to look unmoved upon the “Chungking in Flames” by Wu Tso-Jen and the “Guerrillas” by Lui I-Szu.


































The New York Times
November 15, 1942
“Art of Fighting China”

St. Petersburg Times
(Florida)
November 20, 1942
“Fighting China—Theme of Modern Art Exhibit”

Schenectady Gazette
(New York)
November 27, 1942
“Fighting China—Theme of Modern Art Exhibit”
Battles, bombed cities, civilians fleeing from their homes, and other scenes from the Chinese theater of war are on exhibition at the Museum of Modern Art in New York city. The exhibition is being held in connection with the United China Relief. These realistic paintings, brought back from China by Wendell Willkie, will be sent on a tour of the country after Thanksgiving day.





















The Post-Star
(Glens Fall, New York)
December 1, 1942
“Willkie Attends Art Exhibit”
Admiring a watercolor painting on exhibit at the Museum of Modern Art in New York City are (l. to r.) Mme. Soong, wife of Dr. T.V. Soong, Chinese minister of foreign affairs, Wendell Willkie, and Maj. Gen. Chu Shih-Ming, Chinese military attache in Washington. The painting, which honors the Flying Tigers, is one of a group executed by Chinese artists which were brought to the U.S. by Willkie after his flying trip around the world.





















The Pittsburgh Press Roto
(Pennsylvania)
December 6, 1942
“Art of Fighting China”
(enter 79 in the page box)
















Architect and Engineer
1942
The Wendell Willkie Collection, “Art of Fighting China”

China at War
Volumes 8-9, 1942
“Art of Fighting China”
Battle Scene.
This and the following woodcuts by Liu Te-hua are a part of the art works that were sent by the All China Arts Association to United China Relief through the kindness of Wendell L. Willkie and that will be a part of a travelling exhibit sponsored by the Museum of Modern Art, New York.
Above: Camel Brigade
Left: War Bulletins

Asia and the Americas
January 1943
The tragedies and valor of war-time China are being portrayed in drawings, water-colors and woodcuts by many Chinese artists. A collection of these, brought to United China Relief by Wendell Willkie for the All China Fine Arts Association when he flew home from Chungking, was first shown at the Museum of Modern Art, New York, and is now touring the United States.

Stone Workers by Chang An-chih. Watercolor
The Bombing of Chungking by Huang Chun-pi. Ink drawing
Guerrillas Lu I-Szu. Oil
Marching in the Snow by Cheng Siao nan. Charcoal drawing

Gallery Notes
The Memorial Art Gallery of the University of Rochester
Volume 8, Number 3, January 1943, page 1

Boston Herald
(Massachusetts)
February 7, 1943
“Chinese Paintings Brought by Willkie to Be Seen Here”
Bostonians will have the privilege of seeing the notable exhibition of paintings and graphic art by artists in fighting China, which Wendell Willkie recently brought back from Chungking at the request of Mme. Chiang Kai-shek. The collection will be on view at the China Center, 367 Boylston street, for two weeks from Wednesday, Feb. 17, to March 2. The hours are from 9 to 5 daily and 9 to 12:30 Saturdays.

Mrs. Richard B. Hobart of Brookline is chairman of the Center’s education committee, which is bringing the collection to Boston. First seen in New York last November at the Museum of Modern Art there, by which it was organized, it is now that museum’s traveling exhibit of about 100 pictures, including water colors, pastel drawings, wood blocks and a few oil paintings vividly portraying scenes of everyday life in China and some relating to recent events in the war.

The pictures were entrusted to Mr. Willkie during his world tour by the All China Fine Arts Association, a branch of the Political Institute in Chungking, of which Generalissimo Chiang Kai-shek is director. They were selected by Dr. Chang Tao-fan, dean of the institute and a director of the Fine Arts Association, and flown to the United States by an emissary on the trip.

Members of Mrs. Hobart’s committee are Mrs. Leighton Brewer, Mrs. Charles S. Gardner, Miss Alice Maginnis of the staff of the Museum of Fine Arts, Boston; Mrs. Alner Wong Jayne and Mrs. Wong Pak, wives of Chinese merchants in Boston, and Mrs. Edwin N. Ohl. Mrs. Daivid Sigourney is assisting with the hanging of the collection which Mr. Willkie considers “very realistic and graphic.”

The China Center is participating in the Greater Boston United War Fund Campaign from which it will benefit. Mrs. Arthur W. Hartt is president of the Chinese American Women’s Division of the United China Relief, Inc.

The Milwaukee Journal
(Wisconsin)
February 28, 1943
“War Talks on College Club’s Slate”
(column one, next to last paragraph)

San Francisco Chronicle
(California)
June 20, 1943
Under the title “Art of Fighting China” the M. H. de Young Memorial Museum, is showing a group of paintings, drawings and block prints presented by the government of Chiang Kai-shek to Wendell Willkie when Willkie was in Chungking. This is particularly interesting in the scrolls and other ink-and-wash wherein the ancient Chinese manner is well adapted to the purposes of a harsh and heroic realism. It is also interesting in its woodcuts, which strongly reflect the contemporary Russian style of book illustration.

Richmond Times Dispatch
(Virginia)
September 14, 1943
“Chinese to Speak Here at Museum”
Professor Yueh-lin Chin, Chinese philosopher and newly appointed member of the department of philosophy at Harvard University, will speak tomorrow at the Valentine Museum, at the preview of an art exhibit flown from China by Wendell Willkie.

Traveling in America under the auspices of the State Department, Professor Yueh-lin Chin left Chungking on June 5. He left Peiping during the war and went south to Kunming, through French Indo-China just before the closing of that border.

A former teacher at Ching-hua University in Peiping and at the National Southwest Associated University, he studied here and at Cambridge University in England.

His museum speech will be heard at 8:30 P.M., and its theme will be “The Art of Fighting China.” Invitations to the preview have been issued to a special group of guests, but thereafter the exhibit will be open to the public.

All pictures are the work of contemporary Chinese artists and were entrusted to Mr. Willkie by the All-China Fine Arts Association. This group is a branch of the Central Political Institute in Chungking. They are to be shown here under the joint sponsorship of United China Relief, the Richmond War Community Fund, and the Valentine Museum.

The New York Times
September 26, 1943
Chinese; Trends in Modern Expression
By Edward Alden Jewell
Fighting China exhibit mentioned

The Philadelphia Inquirer
(Pennsylvania)
October 1, 1943
Willkie’s Chinese Art to Be Sold at Exhibition
Outstanding in importance among the events arranged in the interest of the war effort is the special exhibition of paintings by native Chinese, to be held at the headquarters of the United China Relief, 1812 Chestnut st., starting Oct. 11. The pictures, which were brought to this country by Wendell Willkie, when he returned from his epoch-making trip, depict the part that women are playing in winning the war for China.

After having been shown in 16 cities, the pictures will be offered for sale this time, the proceeds going to the individual artists. Mr. Willkie was able to bring the illustrations back with him, because of the co-operation of the various Governmental agencies which felt that this would be a way of accelerating the war effort.

Illinois State Journal
(Springfield, Illinois)
December 12, 1943
“State Museum Exhibits Art of ‘Fighting Chinese’”
“The Art of Fighting China,” one of the outstanding exhibits of the year in the Illinois state museum’s art gallery, opened yesterday and will remain on display in the north gallery until Jan. 1.

The collection of oils, water colors, scrolls, pastels, wood cuts and charcoal pictures by contemporary Chinese artists, is loaned by the Museum of Modern Art in New York. The material was brought to this country last year by Wendell Willkie, and now for sale for the benefit of the United China Relief.

It is an unusual show in that the subject matter largely draws upon the war for inspiration. A series of pastels vividly shows the battle of Changsha; there are water colors and oil paintings of the bombing of Chungking; other scenes show refugees, guerrillas, reconstruction, and there are portraits. Among the latter are two outstanding paintings. One is an oil portrait of General Chiang Kai-shek against the blue sky of China, and the other is a life like pastel of General Hseh-Yo, the victor of Changsha.

The Knickerbocker News
(Albany, New York)
December 30, 1943
Willkie Endorses Chinese Art Show
Better understanding of the Chinese and their culture is “of major importance today,” Wendell L. Willkie wrote in a note expressing his interest in the art exhibition the United China Relief Committee has arranged for the Albany Institute of History and Art, beginning next week.

Regretting inability to rearrange his schedule so he could attend the preview reception Wednesday night, Mr. Willkie said in a letter to John D. Hatch Jr., UCR chairman for Northern New York:

“I should very much like to be with you, not alone because of personal enjoyment which I would, have from seeing these paintings, but also because I believe that the exhibition will be most helpful in bringing about a better understanding of the Chinese and their culture. Today, more than ever, that is of major importance.”


* China in Black and White: An Album of Chinese Woodcuts
Yang Lung-sheng, Huang Yen, Liu Te-hwa and others
Commentary by Pearl S. Buck
The John Day Company, 1945

Friday, December 5, 2014

Anna May Wong, Illustrated

Screen Oddities, January 3, 1938

Screen Oddities, February 15, 1938

Star Flashes, April 28, 1938

Seein’ Stars, March 5, 1939


















































































(Next post on Friday: “Fighting China”
at the Museum of Modern Art, 1942)



















Wednesday, November 26, 2014

Anna May Wong in The Toll of the Sea

The Toll of the Sea
Metro Pictures Corporation
Premiered November 26, 1922, New York City; wide release 1923

Director: Chester M. Franklin
Screenplay: Frances Marion (credited for story not for scenario)
Cinematography: J.A. Ball
Film Editing: Hal C. Kern (uncredited)
Cast: Anna May Wong (Lotus Flower), Kenneth Harlan (Allen Carver), Beatrice Bentley (Barbara 'Elsie' Carver), Baby Moran (Little Allen), Etta Lee (Second Gossip), Ming Young (First Gossip)

Watch the film at the Internet Archive; below are photographs, New York articles, advertisements and reviews, plus a few from Philadelphia




Daily Star
(Queens, New York)
November 21, 1922

Daily Star
(Queens, New York)
November 23, 1922

Evening Telegram
(New York, New York)
November 24, 1922

Evening Telegram
(New York, New York)
November 25, 1922

La Prensa
(New York, New York)
November 25, 1922

Evening Telegram
(New York, New York)
November 26, 1922

New York Tribune
November 26, 1922

Jewish Daily News
(New York, New York)
November 26, 1922

The New York Times
Review
November 27, 1922

Evening Telegram
(New York, New York)
November 27, 1922

Morning Telegram
(New York, New York)
November 27, 1922

(New York, New York)
Review
November 27, 1922

New York Tribune
November 27, 1922

New York Call
November 27, 1922

New York Call
November 27, 1922

Evening Telegram
(New York, New York)
November 28, 1922

Daily Star
(Queens, New York)
November 29, 1922

Daily Star
(Queens, New York)
December 1, 1922

New York Tribune
December 3, 1922

Buffalo Courier
(New York)
December 3, 1922

Morning Telegram
(New York, New York)
December 3, 1922

Niagara Falls Gazette
(New York)
December 5, 1922

Morning Telegram
(New York, New York)
December 10, 1922

Utica Observer Dispatch
(New York)
December 17, 1922

Daily Star
(Queens, New York)
January 6, 1923

Daily Star
(Queens, New York)
January 8, 1923

Daily Star
(Queens, New York)
January 9, 1923

Daily Star
(Queens, New York)
January 10, 1923

Daily Star
(Queens, New York)
January 10, 1923

Brooklyn Daily Eagle
(New York)
January 21, 1923

Buffalo Courier
(New York)
January 21, 1923

Buffalo Evening News
(New York)
January 23, 1923

Evening Telegraph
(New York, New York)
January 24, 1923

Brooklyn Daily Eagle
(New York)
January 28, 1923

Highland Democrat
(Peekskill, New York)
February 3, 1923

Highland Democrat
(Peekskill, New York)
February 3, 1923

Highland Democrat
(Peekskill, New York)
February 3, 1923

Binghamton Press
(New York)
February 14, 1923

Binghamton Press
(New York)
February 16, 1923

Binghamton Press
(New York)
February 17, 1923

Daily Argus
(Mount Vernon, New York)
February 21, 1923

Syracuse Journal
(New York)
February 22, 1923

Syracuse Journal
(New York)
February 24, 1923

News Dispatch
(Endicott, New York)
February 24, 1923

Philadelphia Inquirer
(Pennsylvania)
March 18, 1923

Philadelphia Inquirer
(Pennsylvania)
March 18, 1923

Philadelphia Inquirer
(Pennsylvania)
March 18, 1923

Yonkers Statesman
(New York)
March 21, 1923

Yonkers Statesman
(New York)
March 21, 1923

Yonkers Statesman
(New York)
March 22, 1923

Yonkers Statesman
(New York)
March 22, 1923

Philadelphia Inquirer
(Pennsylvania)
March 24, 1923

Niagara Falls Gazette
(New York)
April 2, 1923

Niagara Falls Gazette
(New York)
April 4, 1923

Niagara Falls Gazette
(New York)
April 6, 1923

Syracuse Journal
(New York)
May 19, 1923

Syracuse Journal
(New York)
May 21, 1923

Albany Evening Journal
(New York)
June 4, 1923

Albany Evening Journal
(New York)
June 5, 1923

The Wave
(Rockaway Beach, New York)
June 7, 1923

Daily Review
(Freeport, New York)
June 19, 1923

Niagara Falls Gazette
(New York)
June 23, 1923

The Wave
(Rockaway Beach, New York)
June 28, 1923

Niagara Falls Gazette
(New York)
July 6, 1923

The Long Islander
(Huntington, New York)
August 10, 1923

The Post
(Ellicottville, New York)
August 15, 1923

Troy Times
(New York)
September 22, 1923

Troy Times
(New York)
September 23, 1923

Independent Press
(Bloomfield, New Jersey)
October 5, 1923

Schenectady Gazette
(New York)
November 8, 1923

East Hampton Star
(New York)
November 9, 1923

Wyoming County Times
(Warsaw, New York)
November 15, 1923

Morning Telegraph
(New York)
November 23, 1923
excerpt from Louella Parsons article

Journal and Republican
(Lowville, New York)
November 29, 1923

Poughkeepsie Eagle News
(New York)
December 15, 1923

Saratoga Springs Saragotian
(New York)
December 22, 1923

Elmira Star Gazette
(New York)
February 6, 1924

Gazette and Farmers Journal
(Baldwinsville, New York)
June 12, 1924

Poughkeepsie Eagle News
(New York)
June 14, 1924

Poughkeepsie Eagle News
(New York)
June 17, 1924

Penn Yan Democrat
(New York)
August 8, 1924

Auburn Citizen
(New York)
February 4, 1925

Cortland Standard
(New York)
May 1, 1925

(Next post: Anna May Wong, Illustrated)